In this web of being, masks take on many guises and elicit questions of ontology and origin phraseologies struggle with themselves, prying open the crack between silence and speech and ecological forces are interwoven with human precepts and preternatural truths.Īcross several of Leadbetter’s poems, masks facilitate confrontations with the unfamiliar or subconscious aspects of humanity. Gregory Leadbetter’s Maskwork is a theatre of transformation and ritual, in which forms constantly shift, and the convolutions of the natural world resist articulation.
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